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But even a brief meeting before the first shot would destroy the mystery of the initial portrait.
Fader said although there were wide parameters to what could happen after the opening photograph, he kept firm about the no-meeting-before-the-first-shot rule.
Although at first the goal of the project was to find someone who would make him want to stop the series, Fader eventually decided he needed to cut the project off after the one-year mark. I had to live [through the dates] to get the other thing.
That’s why it happened, and it’s some of the work I’m most proud of because I did whatever it took to make that happen, and that included a lot of personal sacrifices,” Fader said.
It is not; work from another of Fader's series, “I Want to Put You On,” is part of the show.