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This practice was generally considered a tribute, not forgery, although some of these copies have later erroneously been attributed to the master.

Following the Renaissance, the increasing prosperity of the middle class created a fierce demand for art.

A City on a Rock, long attributed to Goya, is now thought to have been painted by the 19th-century forger Eugenic Lucas.

Elements of the painting appear to have been copied from autographed works by Goya, and the painting is therefore classified as a pastiche. Art forgery is the creating and selling of works of art which are falsely credited to other, usually more famous artists.

The Shroud of Turin – the purported burial cloth of Jesus which contains the faint image of a crucified man – was the subject of intense scientific examination in the mid 1980s. For most, this was all the proof they needed to conclude that the shroud was a medieval forgery.